Jens Notroff<p>Part 8 of the <a href="https://mastodon.social/tags/MuseumOfStolenHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MuseumOfStolenHistory</span></a> series in <span class="h-card" translate="no"><a href="https://mas.to/@thecontinent" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>thecontinent</span></a></span> is not only shedding light on the <a href="https://mastodon.social/tags/ekori" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ekori</span></a> headgear, originally worn to signify their status by the <a href="https://mastodon.social/tags/Herero" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Herero</span></a> and <a href="https://mastodon.social/tags/Himba" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Himba</span></a> women - but also one of the darkest chapters in German <a href="https://mastodon.social/tags/ColonialHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ColonialHistory</span></a>:</p><p><a href="https://continent.substack.com/p/the-museum-of-stolen-history-part-ec3" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">continent.substack.com/p/the-m</span><span class="invisible">useum-of-stolen-history-part-ec3</span></a></p>