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#postmodern

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rogue_corq<p>An expert’s guide to Postmodernism: five must-read books on the movement <a href="https://www.theartnewspaper.com/2025/06/03/an-experts-guide-to-postmodernism-five-must-read-books-on-the-movement?utm_source=dlvr.it&amp;utm_medium=mastodon" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theartnewspaper.com/2025/06/03</span><span class="invisible">/an-experts-guide-to-postmodernism-five-must-read-books-on-the-movement?utm_source=dlvr.it&amp;utm_medium=mastodon</span></a> <a href="https://mas.corq.co/tags/BookClub" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BookClub</span></a> <a href="https://mas.corq.co/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Coach Pāṇini ®<p>What does <a href="https://mastodon.world/tags/PostModern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PostModern</span></a> mean to you? 🤨<br><a href="https://mastodon.world/@paninid/114549047987482743" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">mastodon.world/@paninid/114549</span><span class="invisible">047987482743</span></a></p>
Sean Tilley<p>First attempt at thinking about page layout stuff for <a class="hashtag" href="https://social.wedistribute.org/tag/postmodern" rel="nofollow noopener noreferrer" target="_blank">#Postmodern</a>. It’s supposed to be like a page inspector, except elements are put into nested layers?</p><p>On the one hand, I think it’s a cool idea. On the other hand, my brain is worried that I’m basically recreating the HTML DOM structure visually, and that I’m going to put regions and containers and widgets and elements all inside of this tree.</p><p>Turtles all the way down…</p>
Toni Aittoniemi<p><span class="h-card" translate="no"><a href="https://mastodonapp.uk/@MarkHoltom" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>MarkHoltom</span></a></span> The real power is controlling the narrative.<br>The peak of power is not being able to tell others what to do.<br>It is making them want to do the things you want without you even telling them so.<br><a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.green/tags/narrative" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>narrative</span></a> <a href="https://mastodon.green/tags/theory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>theory</span></a></p>
Coach Pāṇini ®<p>When the value of science, the humanities, and legal precedent all collapse, cuz nobody believes in anything anymore, we’ve gone fully medieval post-modern. </p><p>You NEVER go the full medieval post-modern.</p><p><a href="https://mastodon.world/tags/science" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>science</span></a> <a href="https://mastodon.world/tags/humanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>humanities</span></a> <a href="https://mastodon.world/tags/law" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>law</span></a> <a href="https://mastodon.world/tags/medieval" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>medieval</span></a> <a href="https://mastodon.world/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.world/tags/history" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>history</span></a> <a href="https://mastodon.world/tags/futurism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>futurism</span></a></p>
Hamish Campbell<p><strong>The Seagull Knows: Notes on a Constipated Discipline</strong></p> The opening moment of the workshop on Methodological Strategies for Real-Life Theorising was unintentionally profound. A story of a seagull crieing above the glass façade of the Blavatnik School of Government - a building that stands as a temple to the #deathcult of the last 40 years of #neoliberal culture. In hindsight, that seagull metaphor may have been the wisest participant at the event.The sessions that followed offered a painful reminder of just how entrenched and constipated […] <p><a href="https://hamishcampbell.com/the-seagull-knows-notes-on-a-constipated-discipline/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">hamishcampbell.com/the-seagull</span><span class="invisible">-knows-notes-on-a-constipated-discipline/</span></a></p>
Coach Pāṇini ®<p>On <a href="https://mastodon.world/tags/PostModern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PostModern</span></a> <a href="https://mastodon.world/tags/comservatism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>comservatism</span></a> = reactionary</p><p>Shot: <a href="https://thephilosophicalsalon.com/post-modern-conservatism/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">thephilosophicalsalon.com/post</span><span class="invisible">-modern-conservatism/</span></a></p><p>Chaser: <a href="https://www.aaronrosspowell.com/p/the-rise-of-the-postmodern-right-w-matthew-mcmanus" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">aaronrosspowell.com/p/the-rise</span><span class="invisible">-of-the-postmodern-right-w-matthew-mcmanus</span></a></p>
Raymond Larabie<p>Postmodern geometry meets postal bureaucracy. 📦📐</p><p>ポストモダンな形状と郵便業務が交差する場所</p><p><a href="https://mastodon.social/tags/streetphotography" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>streetphotography</span></a> <a href="https://mastodon.social/tags/nagoya" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nagoya</span></a> <a href="https://mastodon.social/tags/japan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>japan</span></a> <a href="https://mastodon.social/tags/ricohgr" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ricohgr</span></a> <a href="https://mastodon.social/tags/ricohgr3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ricohgr3</span></a> <a href="https://mastodon.social/tags/griiix" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>griiix</span></a> <a href="https://mastodon.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Paul Houle<p>📖 The Timeless Magic of Italo Calvino’s Invisible Cities at 50</p><p><a href="https://lithub.com/the-timeless-magic-of-italo-calvinos-invisible-cities-at-50/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">lithub.com/the-timeless-magic-</span><span class="invisible">of-italo-calvinos-invisible-cities-at-50/</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fiction</span></a> <a href="https://mastodon.social/tags/media" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>media</span></a> <a href="https://mastodon.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
concretelibraries<p>Nahum Gelber Law Library, Montreal, Canada. </p><p>For <a href="https://photog.social/tags/FensterFreitag" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FensterFreitag</span></a>, the iconic triangular window high up on the facade of the McGill university law library building opens up to the Alan Aylesworth Macnaughton reading room. This <a href="https://photog.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> structure was designed by Dan S. Hanganu and opened in 1998. </p><p>📷: Fuji X-T20 + Laowa 9mm f/2.8 <br><a href="https://photog.social/tags/library" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>library</span></a> <a href="https://photog.social/tags/LibraryArchitecture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LibraryArchitecture</span></a> <a href="https://photog.social/tags/architecture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>architecture</span></a> <a href="https://photog.social/tags/photography" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>photography</span></a></p>
Hamish Campbell<p><strong>Signal-to-noise is a hard conversation</strong></p> Signal-to-noise is a hard conversation to have. In our #postmodern world, the very idea of common agreement on what constitutes signal or noise feels elusive, even when it’s often obvious to the community. The undermining of shared narratives fractured our sense of collective reality. In the absence of common ground, every perspective risks becoming its own echo chamber, amplifying what it values as signal while dismissing conflicting views as noise. This dynamic plays out in countless […] <p><a href="https://hamishcampbell.com/signal-to-noise-is-a-hard-conversation/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">hamishcampbell.com/signal-to-n</span><span class="invisible">oise-is-a-hard-conversation/</span></a></p>
BC BY-NC-SA<p>Nat da Hatt / fiffdimension – ネオン列車の風景 (Japan, 2012)<br><a href="https://mastodon.social/tags/DIY" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DIY</span></a> <a href="https://mastodon.social/tags/Experimental" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Experimental</span></a> <a href="https://mastodon.social/tags/Japan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Japan</span></a> <a href="https://mastodon.social/tags/NZ" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NZ</span></a> <a href="https://mastodon.social/tags/NewZealand" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NewZealand</span></a> <a href="https://mastodon.social/tags/World" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>World</span></a> <a href="https://mastodon.social/tags/asia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>asia</span></a> <a href="https://mastodon.social/tags/fieldrecordings" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fieldrecordings</span></a> <a href="https://mastodon.social/tags/fusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fusion</span></a> <a href="https://mastodon.social/tags/mashup" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>mashup</span></a> <a href="https://mastodon.social/tags/newzealandmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>newzealandmusic</span></a> <a href="https://mastodon.social/tags/outsider" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>outsider</span></a> <a href="https://mastodon.social/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.social/tags/postpunk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postpunk</span></a> <a href="https://mastodon.social/tags/psychedelicrock" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>psychedelicrock</span></a> <a href="https://mastodon.social/tags/worldfusion" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>worldfusion</span></a> <a href="https://mastodon.social/tags/Featherston" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Featherston</span></a><br>CC BY-SA (<a href="https://mastodon.social/tags/CreativeCommons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CreativeCommons</span></a> Attribution Share Alike) <a href="https://mastodon.social/tags/ccmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ccmusic</span></a><br><a href="https://fiffdimension.bandcamp.com/album/2012" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">fiffdimension.bandcamp.com/alb</span><span class="invisible">um/2012</span></a></p>
Toni Aittoniemi<p><span class="h-card" translate="no"><a href="https://mastodon.social/@jeffjarvis" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>jeffjarvis</span></a></span> Yes. This is the <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> nazism: Just claim that you are not a nazi while being a nazi. What’s real, anyway?</p>
Jazzaria<p><a href="https://jazzaria.bandcamp.com/album/all-that-glitters" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">jazzaria.bandcamp.com/album/al</span><span class="invisible">l-that-glitters</span></a></p><p>Glitter, Litter, both transport<br>and serve their Purpose,<br>yet fall short.</p><p>Glisten, Listen, all that shines<br>is less than Precious,<br>in decline.</p><p>Glossy, Lossy, error rates<br>will pervade Substance,<br>not abate.</p><p>Featuring alto sax.</p><p><a href="https://mastodon.art/tags/ccmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ccmusic</span></a> <a href="https://mastodon.art/tags/musodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musodon</span></a> <a href="https://mastodon.art/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://mastodon.art/tags/saxophone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>saxophone</span></a> <a href="https://mastodon.art/tags/improvisation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>improvisation</span></a> <a href="https://mastodon.art/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> <a href="https://mastodon.art/tags/experimentalmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>experimentalmusic</span></a> <a href="https://mastodon.art/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.art/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a></p>
Assoc for Scottish Literature<p>“Illuminated by lightning flashes of descriptive brilliance, Brown’s prose evokes melodrama, Greek tragedy and postmodern alienation…”</p><p>You can download a free ebook edition of THE HOUSE WITH THE GREEN SHUTTERS from <span class="h-card" translate="no"><a href="https://mastodon.social/@gutenberg_org" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>gutenberg_org</span></a></span> <br> <br>5/5</p><p><a href="https://www.gutenberg.org/ebooks/25876" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/25876</span><span class="invisible"></span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>Location &amp; dis-location in George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS</p><p>Benjamine Toussaint, Études anglaises 70/4, 2017</p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/litstudies" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>litstudies</span></a></span> </p><p>4/5</p><p><a href="https://shs.cairn.info/article/E_ETAN_704_0429?lang=en&amp;ID_ARTICLE=E_ETAN_704_0429" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">shs.cairn.info/article/E_ETAN_</span><span class="invisible">704_0429?lang=en&amp;ID_ARTICLE=E_ETAN_704_0429</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>“To pick up a pen is to place oneself outside the community in the act of being self-conscious about it. As Burns discovered, it is not really possible to write about community and remain uncompromised within it.”</p><p>—read Dorothy McMillan’s essay “Rural Realism”, on George Douglas Brown’s THE HOUSE WITH THE GREEN SHUTTERS</p><p>3/5</p><p><a href="https://www.thebottleimp.org.uk/2022/05/rural-realism/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">thebottleimp.org.uk/2022/05/ru</span><span class="invisible">ral-realism/</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Assoc for Scottish Literature<p>“I remember the first novel in English I read through was a Scottish novel called THE HOUSE WITH THE GREEN SHUTTERS. […] When I read that, I wanted to be Scotch.”</p><p>—Jorge Luis Borges, interviewed by the Paris Review in July 1966 </p><p>2/5</p><p><a href="https://www.theparisreview.org/interviews/4331/the-art-of-fiction-no-39-jorge-luis-borges" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">theparisreview.org/interviews/</span><span class="invisible">4331/the-art-of-fiction-no-39-jorge-luis-borges</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.scot/tags/Borges" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Borges</span></a> <a href="https://mastodon.scot/tags/JoseLuisBorges" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JoseLuisBorges</span></a></p>
Assoc for Scottish Literature<p>George Douglas Brown (1869–1902) was born <a href="https://mastodon.scot/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a>, 26 Jan – best known for his 1901 novel THE HOUSE WITH THE GREEN SHUTTERS</p><p>“…the TRAINSPOTTING of its day… an angry young man’s response to the misrepresentation of contemporary Scottish life and the industrial and spiritual changes taking place”</p><p>A 🎂 🧵</p><p>1/5</p><p><a href="https://list.co.uk/news/39535/george-douglas-brown-the-house-with-the-green-shutters-1901" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">list.co.uk/news/39535/george-d</span><span class="invisible">ouglas-brown-the-house-with-the-green-shutters-1901</span></a></p><p><a href="https://mastodon.scot/tags/Scottish" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Scottish</span></a> <a href="https://mastodon.scot/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.scot/tags/20thcentury" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>20thcentury</span></a> <a href="https://mastodon.scot/tags/modernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modernism</span></a> <a href="https://mastodon.scot/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a></p>
Toni Aittoniemi<p>Remember folks, this is not the fascism of your great grandfather, this <a href="https://mastodon.green/tags/postmodern" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>postmodern</span></a> <a href="https://mastodon.green/tags/fascism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>fascism</span></a></p><p>Denial of doing fascism while letting you know and rubbing it in your face is integral. Trolling and manufacturing reality in a way which is designed to trap you while trying to dispute their camoflage is by design.</p><p>Projection of power &amp; total domination of the script has not changed though. Neither has the victimhood rhetoric.</p><p>This is a watershed moment. The apologists are clear, like in the 1930’s.</p>